Original score for the indie horror Interference: Dead Air. Synth-forward, bleeding analogue at the edges.
Field recordings from a backyard, run through the chain twice. Half ambient, half pop-song skeleton. Recorded across one slow summer.
An imagined radio program for the long drive home. Side A is broadcasts; Side B is silence between broadcasts.
Synth nocturnes written after hours at the aquarium across town. Everything moves slower under blue light; the arps drift like tank traffic.
Hydrophone recordings of the tide chewing on the breakwater, folded into tape loops. The hiss is the sea; the sea is the hiss.
